4.0帕梅拉·阿德龙,米奇·麦迪森,汉娜·阿利古德,奥利维亚·爱德华,西莉亚·伊姆里,丽贝卡·梅茨,阿莱西娅·雷纳,戴德里克·巴德,格雷格·克罗默,Milla Sofia Press,Jeremy K. Williams,马修·格拉夫,Adam Kulbersh,Caleb Mantuano,露茜·戴维斯,凯文·波拉克,艾玛·香农,克里·萨莫,艾利克斯·迪塞尔,哈里森·佩吉,马瑟·泽科尔,马库斯·弗拉纳根,马修·布罗德里克,亨利·托马斯,凯莱·弗莱明,玛莎·托马森,帕特里夏·斯坎隆,珍·理查兹,杰西卡·巴登,布
The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière